Here you can find my experimentes using algorithms and machines to create physical art works, I explore the relationship between what exactly is described in an algorithm and the unpredictability of its physical implementation by the use of a machine.
Abstraction is rooted on our human visual feedback system.
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| Enamel on paper (2024) |
Lines are drawn to mimic the process of hand drawing-painting. Sketches are generated by image segmentation, filtering, shape selection and depiction, relying on a personal and physical understanding of human visual perception.
All drawings-paintings are originals and were made by a machine that I've build.
Gallery will always have the latest experiments and projects that I'm currently working on.
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| Enamel on paper (210x297mm, 2024) |
heads
Series of machine paintings seeded from a 3D statues heads.
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| Enamel on paper (210x297mm, 2024) |
hands
Series of machine paintings seeded from a hand.
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| Enamel on paper (210x297mm, 2024) |
owls
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| Enamel on paper (210x297mm, 2024) |
Crounching woman
Series of machine paintings after Rodin's "Crouching Woman" sculpture.
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| Enamel on Mixed Media Carson paper, A4 250g (2024) |
Marginalia
A continuous series of pen plotter drawings.
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| blue BIC ballpoint pen on 200g Fabriano paper, 297x420mm (2024) |
Scream
"Scream" is a series of paintings seeded from a 3D scan of a XVI century sculpture.
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| Enamel on Mixed Media Carson paper, A4 250g (2024) |
Open Call Pequenos Formatos at Galeria Monumental (2023)
This is a series of penplotter drawings, generated with an original line drawing algorithm, from a set of old postcards. These were specifically made for this open call.
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| BIC ballpoint pen on paper (210x297mm, 2024) |
Polargraphies
Experimenting with a polargraph (more on these drawings later):
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| Olivia - Ballpoint pen on Canson 200g acid free paper, 297x420mm (2023) |
Created: 23-06-2019 [15:31]
Last updated: 12-08-2024 [23:08]
2024 Tiago Charters (cc-by-sa)