Here you can find my experimentes using algorithms and machines to create physical art works, I explore the relationship between what exactly is described in an algorithm and the unpredictability of its physical implementation by the use of a machine.

Abstraction is rooted in our human visual feedback system.

Self-portrait. BIC ballpoint pen on paper (247x247mm, 2024).
Self-portrait. BIC ballpoint pen on paper (247x247mm, 2024).

Lines are drawn to mimic the process of hand drawing-painting. Sketches are generated by image segmentation, filtering, shape selection and depiction, relying on a personal and physical understanding of human visual perception.

All drawings-paintings are originals and some of them were made by a machine that I've build.

Read the about page.

Blog: Recommended Daily Intake/Dose diária recomendada.


Presence on social media

NFT

If you want to support my art work here's my:

Happy hacking!

Gallery

Gallery will always have the latest experiments and projects that I'm currently working on.

BIC ballpoint pen on Fabriano paper, A4, 200g
BIC ballpoint pen on Fabriano paper, A4, 200g

Marginalia

A continuous series of pen plotter drawings.

BIC ballpoint pen on 200g Fabriano paper, 297x420mm (2024)
BIC ballpoint pen on 200g Fabriano paper, 297x420mm (2024)

line modulus

The surprisingly rich variation in generative art drawings that can occur despite the severe restrictions imposed upon them. All done with lines and affine transformations. Higly inspirede by Hans Dehlinger work.

BIC ballpoint pen on paper (A3, 2024)
BIC ballpoint pen on paper (A3, 2024)

heads

Series of machine paintings seeded from a 3D statues heads.

Enamel on  paper (210x297mm, 2024)
Enamel on paper (210x297mm, 2024)

hands

Series of machine paintings seeded from a hand.

Enamel on  paper (210x297mm, 2024)
Enamel on paper (210x297mm, 2024)

owls

Series of machine paintings seeded from a 3D rendered model relief of branches and flowers, three birds, and a owl.

Enamel on paper (210x297mm, 2024)
Enamel on paper (210x297mm, 2024)

Crounching woman

Series of machine paintings after Rodin's "Crouching Woman" sculpture.

Enamel on Mixed Media Carson paper, A4 250g (2024)
Enamel on Mixed Media Carson paper, A4 250g (2024)

scream

"scream" is a series of paintings seeded from a 3D scan of a XVI century sculpture.

Enamel on Mixed Media Carson paper, A4 250g (2024)
Enamel on Mixed Media Carson paper, A4 250g (2024)

Open Call Pequenos Formatos at Galeria Monumental (2023)

This is a series of penplotter drawings, generated with an original line drawing algorithm, from a set of old postcards. These were specifically made for this open call.

BIC ballpoint pen  on paper (210x297mm, 2024)
BIC ballpoint pen on paper (210x297mm, 2024)

Polargraphies

Experimenting with a polargraph (more on these drawings later):

Olivia - Ballpoint pen on Canson 200g acid free paper, 297x420mm (2023)
Olivia - Ballpoint pen on Canson 200g acid free paper, 297x420mm (2023)

"It seemed that the difference of opinion, tastes, and purposes increased just in proportion to the demand for conformity... It appeared that it was nature's own inherent law of diversity that had conquered us... our 'united interests' were directly at war with the individualities of persons and circumstances and the instinct of self-preservation." - Manifesto - A Libertarian Document, Josiah Warren

Created: 23-06-2019 [15:31]

Last updated: 01-12-2024 [16:04]


For attribution, please cite this page as:

Charters, T., "Algorithmic generated physical drawings and paintings by Tiago Charters": https://nexp.pt/index.html (01-12-2024 [16:04])


2024 Tiago Charters (cc-by-sa)